In ancient China, architects were classified as artisans. Today's architects are no longer comparable to the old craftsmen, but the characteristics of their "smiths" still exist. In this case, the "artisan" is not a derogatory term. In the name of the Chinese people, the masters and masters are worthy of the talents with deep knowledge. The conversation with Wu Chen began with the great temperament of the architect. In the eyes of Wu Chen, the director of the famous British Terry Farrell Design Company (TFP) in China, architecture is a multi-level concept. When people talk about architecture, they should not just stare at it. One or a few houses should be viewed from different spaces and scales: area, city, unit, and detail. Looking at the building from a higher level and a larger space, and working at all levels of the building, this is the literacy and responsibility of a great architect: the architect's great temperament.
Wu Chen said that in every building and every plan that he presided over or participated in, there is a well-thought-out and pervasive philosophy, that is, to strive for each work to adapt to the urban landscape to which it belongs, to repair the missing texture, and Urban patterns form an interactive public space. The attachment to urban history and the deep understanding of urban form make him uniquely aware of the use and function of architectural language. He never regards a single building as an isolated object in space, but always puts them in one A specific place that allows the building to assume a specific role in a certain urban context. The development of the city should be like a cell metabolism, a gradual process. The construction of some cities in China is more like a genetic mutation: Suddenly, a brand new street was built; suddenly, a block of historical records was demolished; a strange and strange building that was incompatible with the surrounding environment suddenly appeared; it suddenly changed. The traditional style that gradually formed in a region... The mutation of the city's genes is actually derived from the city's tolerance for dreams.
The city is where everyone realizes their dreams, whether it is a native of a native, a foreigner who works hard, or a city manager; a city is a “dream factory†of architects. However, if you endure a genetic mutation in order to constantly create dreams and tolerate your dreams, then the outcome is a mess to the city after the failure of the dream.
Architects, of course, should have dreams, but there should be a responsibility. The true master is not a philosopher who is self-indulgent and self-speaking, but a person who has thoughts, contributes to society, and can assume social responsibility.
In recent years, Wu Chen has been active in the construction industry in the UK and China, participating in or hosting a series of major planning and architectural design projects, including the UK Home Office Headquarters in London, Shenzhen Reclamation Planning, and PetroChina in Beijing. Headquarters and China Overseas Headquarters, etc. At the same time, he also belongs to the class of architects with more ideas, and his academic views and architectural criticism have also attracted widespread attention. He was one of the first scholars to systematically analyze and introduce European urban renewal theory in China. He first proposed that China is becoming a "experimental wave of foreign architects. Although it is in the senior management of a famous foreign design company, it has The famous British architect Richard Rogers and Sir Terry Fari have worked together for a long time, but he has been looking at and participating in Chinese architecture with a Chinese perspective and attitude. Our conversation naturally leaves He does not open the evaluation of some foreign architects' works in China. He said that he disapproves of some so-called masters who use "weirdness" as their starting point to create "weird" as the standard of architecture. Then, some people in China We will raise this “weirdness†to the standard of building. We cannot change the standard of people’s long-term evaluation of architecture because of “foreign masters.†Our worship of masters should not be because it is difficult to use. The "weird" fantasy that technology solves. What should be more vigilant is that hidden behind some of the master’s hype is
Wu Chen gave an example. The Dutch architect Koolhaas, who designed the new CCTV building at the International Symposium on Planning and Design of the 2010 Shanghai World Expo in April this year, put forward a very bold idea: breaking the tradition of branch construction. It is one or two large comprehensive pavilions built in the entire Expo area. Behind this idea is that Koolhas himself is striving for the venue project of the Shanghai World Expo.
When talking about cooperation with foreign architects, Wu Chen believes that it should be an equal partnership. This kind of cooperation should not be filled with too many blind esteems, but should be objectively divided and earn corresponding income shares according to their respective workloads.
Wu Chen, although his qualification is “Royal Chartered Architectâ€, his current institution is also a foreign company, but his education, career, and pursuit of ideals are all achievements. The great temperament of a Chinese architect.
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